DESIGN CONCEPT
西班牙巴伦西亚的RicardCamarena餐厅坐落在著名的历史工业建筑区中，Per amor a l’art发现了废弃的Bombas Gens工厂，并将其改造为一座艺术中心。近三十年后，二十世纪三十年代的液压泵厂已经获得了新生，同时兼顾了艺术中心和餐厅。
Set into the residual space of a major architectural restoration, Ricard Camarena Restaurant inValencia, Spain respects the industrial architecture of a notable art decobuilding. Bombas Gens remained a dilapidated, abandoned factory until recently converted into a centre of art by Fundació Per Amor a l’Art. Almost three decades later, the 1930’s hydraulic pump factory has been given a new life,accommodating both the Art Centre and the Restaurant.
餐厅由FrancescRifé设计事务所与米其林厨师Ricard Camarena共同打造。原本多余出来的空间意外地变成了新的餐厅，用餐空间被分为两个主要部分：可以难得地看见工厂墙壁的一片三角形区域，以及位于五个翻新过的顶棚下方的吧台。
Designed by Francesc RiféStudio, the restaurant is a result of the collaboration with Michelin starredchef, Ricard Camarena. The design challenge was to create a space from thenon-space. The original architecture dictates the new layout, splitting the restaurant into two main spaces; the dining room occupies a triangularfootprint, while one of the factories five refurbished sheds encloses the bar.
入口处的核桃木接待台和黄铜落地灯引人注目。将狭窄的通道转变为艺术画廊，入口处收藏了10个艺术作品，伴随顾客着游客进入餐厅。随着脚步的深入，发现了为室内带来自然光的露台，视野得到无线的延伸。
The entrance with its Walnut reception desk and brass Flowerpot lamp is a modest introduction to them agnitude of the space beyond. Transforming a narrow passage into an artgallery, the entrance plays host to a collection of 10 artworks that accompany visitors through to the dining room. Expanding out, the dining room leads to alight filled terrace. A wall of glass pivot doors allows the restaurant to befilled with natural light and extends the space outdoors.
墙壁和天花板的不同平面都使用到美国核桃木，形成空间的第二个“皮肤”。与砖墙形成对比，粗糙的纹理被定格的木框架内，混凝土地面和木质造型在灯光映照下更加柔和。餐厅的规模和形式与众不同，吸引顾客的同时毫不隐瞒的展示整个工厂的历史。
Integrating different planes of the dining room, walls and ceiling fuse together via a skin ofAmerican Walnut timber. Its smooth texture, curvaceous grain and deep huedramatically juxtapose against one of the factory’s exposed, brick walls.Iconic to the space, the rough texture of this feature wall is framed by customtimber lattice and is theatrically emphasised by horizontal illumination thatgrazes its earthy surface. Running the length of the dinning room, the wallimparts scale and form beyond the customary to seize the attention of patronsand express the industrial past of the premises.
吧台和休闲区高度达到8米，这是一个被修复的空间。保留了砖和Melis Pine围墙。可容纳多达25人，Flos的灯饰和一些建筑师设计的家具，彼得拉灰色大理石，吧台边缘使用核桃木，上方是抛光黄铜挂架。
With a maximum ceilingheight of 8 meters, the bar is a restored space that preserves exposed brickand Melis Pine enclosures. Used as a waiting room, aperitif space and areserved area accommodating up to 25 people at once, the bar features F2 lampsby Flos and furniture designed by the architects, much like the furniture throughout the rest of the project. Wrapped in Pietra Grey marble, the service counter is edged in Walnut timber and sits below polished brass hangingshelves.
形式不一的栅格主要运用了水平和垂直的构件元素。不仅用来隔音，对窗户处理并结合到搁架中，将餐厅的两个独立区域结合在一起。视角的不同而形成一种不透明的错觉。
Lattice detail usedthroughout the interior is composed of vertical and horizontal slats arrangedintently to highlight the restaurants various features. Used as a featurecladding, a window treatment and incorporated into shelving, the lattice tiestogether the two separate zones of the restaurant.
Francesc Rifé 恢复了一个废除的工厂，赋予了新的个性和面貌，传递着无限的感官体验。 伟大的设计是物质的碰撞，保留了Bombas Gens 艺术中心的整体风格，充满惊喜的空间设计。
Achieving a great senseof lightness, Francesc Rifé Studio have recovered an emblematic space ofdisuse, and given it a new personality and purpose. The magnificently designedinteriors are a collision of materiality,respectfully preserving the characterof Bombas Gens Arts Centre. Needless to say, this project is going straight onthe bucket list.
版权 / Francesc Rife Studio
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