[转载]藏式佛像

藏式佛像很多，原来很少看到精品，这些可算是我见到的精品中的精品了。

照片来源

 North-East India
late Pala era, 11th -12th century
Copper base alloy, decorated with cold gold and paint,
inlays of precious stones (mainly turquoise), silver and copper
Height: 154 cm
Potala, Lhasa
(Catalogue number 32)

 

A thousand-arm Avalokiteshvara
Tibet
late 17th century
Bronze, hot fire gilding. Turquoise, decorated with cold gold und paints
Height 78 cm; width 26 cm
Norbulingka, Lhasa
(Catalogue number 34)

 

Central Tibet
1st half of the 16th century
Beaten sheet copper, hot fire gilding, partly coloured, and painted with cold gold
Height: 105 cm
Mindr?l Ling monastery, Central Tibet
(Catalogue number 4)

The protective Goddess Shridevi
China
Ming dynasty, Yongle period (1403-1424)
Copper, hot fire gilding, partly decorated with colours
Height: 20 cm, width: 17.3 cm
Tibet Museum, Lhasa
(Catalogue number 65)

 

Central Tibet
1st half of the 16th century
Beaten sheet copper, hot fire gilding, partly decorated with paint and cold gold. Jewels, corals.
Height: 101 cm
Mindr?l Ling monastery, Central Tibet
(Catalogue number 3)

Central Tibet
1st half of the 16th century
Beaten sheet copper, hot fire gilding, partly decorated with paint and cold gold
Height: 100 cm
Mindr?l Ling monastery, Central Tibet
(Catalogue number 9)

Kashmir
7th /8th century A.D.
Copper base alloy, hot fire gilding, decorated with cold gold and paints
Height: 63.0 cm, width: 25.0 cm, depth: 20.0 cm
Tibet Museum, Lhasa
(Catalogue number 14)

Nepal
14th century
Scroll painting. Gouache on cotton.
Height: 70 cm, width: 59 cm
Tibet Museum, Lhasa
(Catalogue number 16)

India, probably Burmese work
Pala era, around the 11th century
Sandalwood, joined together from innumerable parts
Height: 49 cm, width: 20,5 cm, depth: 26.2 cm
Potala, Lhasa
(Catalogue number 22)

Pala era, late 11th century
Illuminated manuscript on Pattra pages
Length: 58 cm, width: 7 cm
Yarlung Museum, Tsethang
(Catalogue number 26)

A teacher from the Nyingma School
Tibet
17th - 18th century
Thangka, Gouache on cotton
Height: 85 cm, width: 56 cm
Potala, Lhasa
(Catalogue number 44)

Yidam Guhyasamaja Akshobhya
15th - 16th century
Silk embroidered Thangk
71 x 61.8 cm; with mounting 116 x 87 cm
Potala, Lhasa
(Catalogue number 55)

The Dakini Nada-Khechari
Tibet
17th -18th century
Copper base alloy, partly hot fire gilding, decorated with
cold gold and colours, inlays of turquoise, corals and bone
Height: 33.5 cm
Norbulingka, Lhasa
(Catalogue number 60)

The Death God Yama
China
ca. 16th century
Copper base alloy, hot fire gilding, decorated with cold gold and colours
Height: 28.0 cm, width: 17.6 cm, depth: 10.7 cm
Potala, Lhasa
(Catalogue number 66)

 

 

 

 

 

A response to David Weldon’s “On Recent Attributions to Aniko”

Fig. 5. Avalokiteshvara Padmapani
Copper with gold and silver inlays and partial gilding, the face cold-gilded
height: 15,3 cm.
Newari artist in Tibet, second half of 13th century (“Aniko style group”). Lhasa, Tibet Museum.

Henss 2008, fig. 99; Henss 2009, fig. 19.

Fig. 7. Bodhisattva Maitreya
Copper with gold and silver inlays and remains of former cold gilding and blue pigment. 17 cm.
In the Newari –Tibetan style of the second half of the 13th century (“Aniko style group”, of the period?).
Private collection Switzerland.
Photo: Walter Gross, 1998.

 

Fig. 15. Green Tara

这几张都有脖子短，胳膊粗，比例不协调的问题

Fig. 17. Jo bo Shakyamuni
Upper part of the repoussé nimbus (prabhamandala) attributed to Aniko, 1262; height of the gilt copper image ca. 170 cm.
Lhasa, Jokhang temple.
Photo: Michael Henss 1999.

Henss 2008, fig.96; Henss 2009, figs. 2, 3.

A response to David Weldon’s “On Recent Attributions to Aniko”

Fig. 18. Bodhisattva
Hollow dry lacquer with original polychromy; height: 58 cm.
Nepalese style in China, early Yuan dynasty, late 13th century or around 1300.
Probably by a master disciple of the Aniko workshop such as Liu Yuan, famous for his statues in this technique produced for the
Yuan capital temples (Henss 2009, p.210 with further references).
M.S.Slusser, The Art of East Asian Lacquer Sculpture. Orientations, January 1996, p.24-27, fig. 15a, b.
Washington, Freer Gallery of Art.
Photo: after Orientations, January 1996 (cover ill.).这张脖子略显地短了一点儿

还有很多好的照片，可以看这篇文章。

下面这两张照片来源于

这张腰部再挺拔一点就好了

这张面部表情一般

 

http://flickr.com/photos/mpabla/sets/72157594339140843/

 

这张面部表情不错，但肩部有点宽，比例还是有点不大好。

 

http://www.asianart.com/exhibitions/wutaishan/2.html

http://www.asianart.com/articles/aesthetics/index.html

下面是一组来自尼泊尔的佛像，很漂亮，可惜粘不上，只能链接下边的地址了

http://www.asianart.com/exhibitions/nepal-treasures/1.html