曼努克的画作审视了这样一种观念：我们看似分离和孤立的生活经历，掩盖了我们共同的纽带。她将传统油画与超现实主义象征相结合，传达了技法创新对人体和心理的影响。在她的绘画中，一个反复出现的主题是女性的形式，她承担着世俗的悲伤和错误的观念，她的身体鞠躬，表示顺从。她说，面具和假想的身份，阻碍了大脑认识到把我们作为人类团结在一起的东西。“ 我们制造的虚假外表，使我们对共享体验的、有意义的想法视而不见。”
亚历山德拉·曼努克（Alexandra Manukyan）在亚美尼亚出生和成长。她毕业于美术学院，然后毕业于国立教育大学，主修美术教学。
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