仿生营造艺术实践_漂浮岛湿地建筑设计研究Bionic-Baukunst Floating Island

(2012-11-02 00:20:55)

标签： 文化

    仿生营造艺术创作不是仅仅为了追求一个模拟生物的外形，或者为了开发某种为己所用的功能而不择手段。其最本质的追求是认清生命的本质，在对自然的学习与追问中寻找解决客观问题的最有效和最节约的方法。以高效、节约和对美的追求为原则，以营造艺术和生态美学为基础的一条新的生态创作理念。 

 

模型照片

Bionic-Baukunst on thepursuit of "beauty" as the core, through the discovery , searchingand questioning the art thinking, the aesthetic life ischaracterized by the means of create art using. Finally, landscapeenvironment is perceived and appreciated by people through the cityand architecture. The purpose is not only to apply the nature, butalso to discover the nature, respect and enjoy the nature. ……Bionicdesign is not just the pursuit of a simulated biological shape, orsimply in order to develop some kind of function for our using byfair means or foul. Actually, the pursuit of its most essential isto clear the understanding of the nature of life. Throughbiological learning and questioning found the most effective andeconomical method to solve the objective problem is to get maximumresults with minimal effort without damage and the expense thethird party interests.

     

入口透视

Bionic-Baukunst on thepursuit of "beauty" as the core, through the discovery , searchingand questioning the art thinking, the aesthetic life ischaracterized by the means of create art using. Finally, landscapeenvironment is perceived and appreciated by people through the cityand architecture. The purpose is not only to apply the nature, butalso to discover the nature, respect and enjoy the nature. ……Bionicdesign is not just the pursuit of a simulated biological shape, orsimply in order to develop some kind of function for our using byfair means or foul. Actually, the pursuit of its most essential isto clear the understanding of the nature of life. Throughbiological learning and questioning found the most effective andeconomical method to solve the objective problem is to get maximumresults with minimal effort without damage and the expense thethird party interests.

室内空间透视

本设计通过针对湿地环境特殊的营造需求，利用仿生营造艺术方法探索在特殊环境中营造人居环境的可能性。通过对湿地生物“麝鼠”巢穴的研究，提出“漂浮岛”的设计概念，从仿生形态、仿生结构、仿生功能和仿生材料的角度展开分析，最终在建筑上找到与生物的契合点。从最深层的生命与自然的和谐关系中找到仿生营造艺术的本质追求。本建筑就像一座漂浮于水面上的岛屿一样，与其说是一栋建筑不如说是一个生命体。它不与环境产生硬性连接，而是可以根据环境的变化而变化，根据功能需要的改变而灵活应对。以自生、再生、竞生和共生为理念，使建筑与自然融为一个整体。在为人带来美的感受同时也为生物创造一处栖居的场所，实现人与生物的和谐共生的终极追求。它不仅是一座人工之岛、也是一座自然之岛，更是人们的心中的一座艺术之岛。

顶光效果

“Floating Island” This construction should becalled as a living body rather than a building which is as anisland floating on the water. It does not have a rigid connectionwith the environment, but according to the environmentalrequirement and the needs of the use of flexible response andchange. The whole building should be integrated withnature, Contemporary, The building is full use of existing materials andlocal technology to maximize the economic conservation and culturalheritage of traditional architecture.What important is to bringbeauty to human just like the artwork and which is not a naturalisland and artificial island, but an island full with art inhuman’s heart.

人与鸟共生

系统分析

概念分析

流线分析

平面图

基地总平面

剖面图A-A

剖面图B-B

 

参加展览：千里之行中央美术学院优秀毕业生作品展