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On the sixteen line poem to answer the questions of College Readers (关于十六行诗答高校读者问1)​
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2022.05.25 四川

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关于十六行诗答高校读者问(一)

On the sixteen line poem to answer the questions of College Readers (1)

作者:尹才干(中国)

Author: Yin Caigan (China)

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一、您是什么时间开始写十六行诗的,有哪些作品?

1.When did you start writing sixteen line poems and what works do you have?

尹才干答:十六行诗的写作,开始于1978年。最初,写的是“十六行新格律体诗”,后来开始写“十六行新自由体诗”。主要作品有《秋日听文友诉杂诗》《古都西安》《葡萄熟了》《走进中原》《广安人》《武胜白坪飞龙新村赋》等。这些作品,有的收入《千家歌词选》(尹才干主编,中国文联出版社2004年6月第1版)出版发行,有的收入《尹才干打油诗集合》出版发行(团结出版社2016年4月第1版)。

Yin Caigan: the writing of sixteen line poems began in 1978. At first, he wrote "Sixteen Line New Metrical Poetry", and then began to write "Sixteen line new free style poetry". His main works include listening to Wen you's Miscellaneous Poems in autumn, ancient capital Xi'an, ripe grapes, entering the Central Plains, Guang'an people, Fu of wusheng Baiping flying dragon new village, etc. Some of these works have been published and distributed in the selected lyrics of thousands of families (edited by Yin Caigan, the first edition of China Federation of literary and Art Publishing House in June 2004), and some have been published and distributed in the collection of Yin Caigan's doggerel Poems (the first edition of Tuanjie Publishing House in April 2016).

二、中国十六行诗的创作原则有哪些?

2.What are the creative principles of Chinese sixteen line poetry?

尹才干答:“十六行新格律诗”创作的形式原则是:十六行,十六句,字数不限,放开格律,但句式整齐,四节,每节四句,四、四、四、四结构。如《秋日听文友诉杂诗》:

Yin Caigan replied that the formal principle of the creation of "Sixteen Line New Metrical Poetry" is: Sixteen lines, sixteen sentences, unlimited number of words, open metrical, but the sentence pattern is neat, four sections, four sentences per section, four, four, four structure. Such as listening to Wen you's poems in autumn:

四十余年苦面壁,一生心血碾成泥。

For more than 40 years, he has been facing the wall, and his whole life has been crushed into mud.

我之痛心谁能解,酒后真言面戚戚。

Who can solve my pain? The truth is sad after drinking.

曾为书山力跋涉,何处不是青云梯。

Once trekked for Shushan power, where is not the Qingyun ladder.

文思泉涌成小溪,洛阳纸贵何稀奇。

Wensi spring flows into a stream. It's strange that Luoyang paper is expensive.

而今时过境已迁,唯留沉思与叹息。

Now the transit has moved, leaving only meditation and sigh.

眼前有景千帆过,脚下无花百草低。

There are thousands of sails in front of you. There are no flowers and grass under your feet.

梦中暖阳常相忆,醒来冰霜铺满地。

The warm sun in the dream often remembers each other. When I wake up, the ground is covered with ice and frost.

何时梦取神来笔?梅开二度题破壁。

When does the dream take God's pen? Mei Kai's second degree question broke the wall.

——选自《尹才干打油诗集合》团结出版社2016年4月第1版第107页)

——Selected from the collection of limericks by Yin Caigan(Tuanjie publishing house, 1st edition, April 2016, page 107)

“十六行新自由体诗”创作的形式原则是:十六行,十六句,字数不限,句式参差不齐,也是四节,每节四句,四、四、四、四结构。如《梦想在武胜园子的心空里翻飞》:

The formal principle of the creation of "Sixteen line new free style poetry" is: Sixteen lines, sixteen sentences, unlimited number of words, uneven sentence patterns, and four sections, four sentences per section, four, four, four structure. Such as "dreams flying in the heart of wusheng garden":

花儿开了,满园哈欠,

The flowers bloom, the garden yawns,

处处伸展着温馨的懒腰。

Stretching a warm lazy waist everywhere.

蝴蝶飞了,鸟儿叫了,

Butterflies fly, birds sing,

园子成了街市,一切都鲜活了。

The garden became a market and everything was fresh.

日子熟了,端出一盘盘水果,

When the days are ripe, bring out plates of fruit,

喂养着沧桑,喂养着天真。

Feeding vicissitudes, feeding innocence.

岁月如婴孩,醉得东倒西歪,

Years are like a baby, drunk and staggering,

口角天天流着幸福的奶水。

Quarrels flow happy milk every day.

菜园丰收了,黄瓜豆角,

The garden has a bumper harvest, cucumbers and beans,

在架上荡着秋千,茄子辣椒,

Swing on the shelf, eggplant, pepper,

在畦里排队,盘算梦想,

Line up in the bed, plan your dreams,

还有深藏不露的萝卜地瓜。

And the hidden radish and sweet potato.

在园外徘徊,栅栏会挡住视线,

Wandering outside the garden, the fence will block the view,

进园落下锄犁,种下玫瑰,

Enter the garden, drop the hoe, plant roses,

将诗画田园入酒,与云天同醉,

Put poetry and paintings into wine and get drunk with the clouds,

从此不走天涯,在家门边播种朝晖。

Since then, instead of going to the ends of the earth, I have sown the morning sun by my door.

——选自广安在线《梦想在武胜园子的心空里翻飞》

——From Guang'an online "dreams flying in the heart of wusheng garden"

在创作上,不拘泥于古典诗歌的平仄对仗,但要讲究诗意的生成、意境的营造,要灵活运用大量的时代语言,适当运用中华新韵,要有节奏感和韵律美,读起来朗朗上口,易记易诵。

In terms of creation, we should not stick to the antithesis between the level and level of classical poetry, but pay attention to the generation of poetic flavor and the creation of artistic conception. We should flexibly use a large number of times language, appropriately use Chinese new rhyme, have a sense of rhythm and rhythmic beauty, read it fluently, easy to remember and recite.

三、十六行诗的特征是什么?

3. What are the characteristics of sixteen line poetry?

尹才干答:写作实践表明,无论是“十六行新格律诗”,还是“十六行新自由体诗”,可以说,它是一种具有中华诗歌美学质地的,现实感强、生活感浓、短小精悍、明白晓畅、富有韵律、雅俗共赏的现代汉语诗歌。

Yin Caigan: writing practice shows that whether it is "Sixteen element New Metrical Poetry" or "Sixteen element new free style poetry", it can be said that it is a modern Chinese poetry with the aesthetic texture of Chinese poetry, strong sense of reality, strong sense of life, short and concise, clear and clear, full of rhythm and appreciation of elegance and customs.

四、为什么读者喜欢阅读和创作十六行诗呢?

4.Why do readers like reading and writing sixteen line poems?

尹才干答:我想,读者喜欢的原因有三。一是它是一种具有中华诗歌美学质地的现代新体诗歌。具有音乐性、精炼性、形象性,起承转合结构性,而这些特性,恰恰是中华民族传统诗歌语言的基本特征,符合全民族的创作阅读心理,容易引起读者共鸣。二是十六行新体诗的句子字数不限,克服了过于整齐划的一沉闷呆板。由于每行字数不限,长短不一,疏密相间,每个诗节的文字就显得错落有致,具有参差性,从而显得形体起伏自然,文气灵动而美观,克服了过于整齐划一的沉闷呆板。三是,诗歌的容量较大、形式自由灵活,便于掌握和运用。一首十六行的新格律诗,其容量相当于两首律诗和四首绝句,便于表达更多更复杂的内容。同时因为十六行新体诗放宽古典诗歌的平仄对仗,每句字数不限,比传统的格律诗以及西方的十四行诗更为灵活、自由,便于读者掌握运用,因此,读者就容易喜欢上十六行诗,从而致力于探索创作十六行体新诗。

Yin Caigan: I think there are three reasons why readers like it. First, it is a modern new style poetry with the aesthetic texture of Chinese poetry. It has the characteristics of music, refinement, image and transition structure. These characteristics are precisely the basic characteristics of the traditional poetry language of the Chinese nation. They are in line with the creation and reading psychology of the whole nation and are easy to resonate with readers. Second, there is no limit to the number of words in the sentence of the sixteen line new style poem, which overcomes the dull and rigid of too neat delimitation. Because the number of words in each line is unlimited, the length is different, and the density is alternating, the text of each stanza appears to be scattered and uneven, which makes it appear that the body fluctuates naturally, the literary spirit is flexible and beautiful, and overcomes the dull and rigid of being too neat and uniform. Third, poetry has a large capacity, free and flexible form, which is easy to master and use. A 16 line new metrical poem has the capacity of two metrical poems and four quatrains, which is convenient to express more and more complex contents. At the same time, because the sixteen line new style poetry relaxes the horizontal and horizontal antithesis of classical poetry and has no limit on the number of words in each sentence, it is more flexible and free than traditional metrical poetry and Western sonnets, which is convenient for readers to master and use. Therefore, readers are easy to like sixteen line poetry and devote themselves to exploring and creating sixteen line new poetry.

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