四月天 混合媒介 2021
April Day
Mixed media
43x43cm
像生命那样自由地呼吸. (摘选）
——白俊虹的画
白俊虹的画是按色彩来分类的，她确实有很强的色彩表现能力。像印象派画家—样，色彩不只是再现客观的手段，也是表达主观意志和内心感受的语言。白俊虹也是把色彩看作表现的语言， 但力求用这种语言来表现一种真实与自由。在她的画中，色彩当然不是唯—的手段，笔触、形象与色彩构成—个整体，色彩最直接地表达了感情，笔触则是色彩显现的依托， 而形象充满隐喻和象征。
Breathe freely like life
Painting by Bai Junhong
Yi Ying
Bai Junhong has an immense ability inexpressing herself through color, and as with impressionist painting, color isnot just a means of conveying things objectively, but also a language forcommunicating one’s subjective feelings, and shestrives to use this language to offer a kind of truth and freedom. However, this is certainly not the only artof painting well, as her brushstrokes and images are full of metaphors andsymbols which, along with color, constitute a holistic approach to her work.美好记忆 混合媒介 2020
Good Memories
Mixed media
43x43cm
对于白俊虹来说，真实与自由包含着两层意思：一个是作为自我的真实的、自由地存在；另—个是追求真实与自由所需要的能力与勇气。在她近乎抽象的画面上，有着潜在的叙事与象征， 似乎象征着个体生命的追求与向往。白俊虹可能是从追求表现的语言开始的，即怎样才有可能按照自己的想法和能力去作画。在生活中，尽可能按照个人的方式或意志去选择；在艺术上，这种真实却无法自由地表现，艺术的教条与规则使得艺术只是重复自身，在规则之外，艺术还有广阔得多的天地。生命的真实存在与艺术的自由表现在白俊虹看来是一体的，艺术如果能像生命那样自由地呼吸，艺术就必定是自由的，艺术的潜能才可能极大地发挥，才可能让生命融入艺术，在艺术中观照生命的真实存在。白俊虹的画充满着自由的激情， 她将色彩的纯度发挥到一个极限，—切规则都失去了约束，旋风般的笔触扫过画面，仿佛是一种冲破压抑与沉郁的癫狂。这不是任何构思所能达到的，是生命与艺术的直接沟通，也是画家以她的方式对生命真实与艺术真实的实现。
In her abstract paintings, truth andfreedom are central for Bai Junhong, which reflects the ability and courage toexist freely as an independent self along with potential narratives thatsymbolize the pursuit and yearning of individual life. She normally begins her work with thelanguage of pursuing expression following her ideas and abilities, but not in apersonal way, as this kind of truth cannot be expressed freely, and wouldresult in art just repeating itself. In Bai Junhong’sopinion, the real existence of life and the free expression of art are anintegral whole, and if art can breathe freely like life, then art must befree. Only then can the potential of artbe brought into full play, so that life can be integrated into art and the realexistence of life can be displayed within it, and her paintings reflect this asthey explode with passion for freedom. As a result, she brings the art of purity to the limit with all ruleshaving lost all constraints, with whirlwind brushstrokes sweeping across thecanvas as if it is a kind of madness that breaks through all the depression.This is not something that can be achieved by any artistic ideas, but through directcommunication between life and art which she expresses in all her work.
花之语 混合媒介 2020
The Language of Flowers
Mixed media
43x43cm
白俊虹的能力就表现她归复了笔触的表现力．以笔触的原始性为—个点，展开色彩与形象的原始性，整个画面都体现出情感的无意识的表现，这种原始性即自我的真实性，也是自我的自由表现。很多画家总是沉迷于熟练的技巧，个性与自我被沉没在技巧之中。白俊虹以她自己的方式突破了这种束缚，打通了表现的自由与自我的真实、生命的自由之间的通道。这是白俊虹的艺术的成功之处。
For many other painters, there is anobsession with skilled techniques and their personalities becoming submerged inthe techniques applied, but for Bai Junhong, there is an authenticity in herwork as she applies the primitiveness of colors and images, along with herexpressiveness of brushstrokes. As aresult, the whole picture reflects the self-conscious expression of emotion andself, and this is the success of her art.Flower Diameter
Mixed media
Family
Mixed media
绘画是一个隐形的容器，容纳世界、更容纳自身。不同于图片化的影像叙事，白俊虹的绘画作品偏重于书写性的特质，可以赋予诗意也可以饱含热情。正是因为由心而发的自由与灵动，导致了其作品在阐释内在感知的同时推动了视觉经验的延续，而且是以激发客观感知作为具体形式的诱因。Run into the Lotus Pond
Painting by Bai Junhong
Wang Yang
Painting is an invisible container, in thatit exists in thought or as an idea but not having a physical or concreteexistence, such as love or beauty, and contains the world and itself, and BaiJunhong’s work reflects thisapproach through her abstract representation. Unlike picture-based photos, she emphasizes the characteristics ofwriting in her art, which can be poetic or full of enthusiasm, and it is preciselybecause of this freedom and agility from the heart, that her works promote thecontinuation of the visual experience while interpreting the inner perception,which in turn stimulates the objective perception.Heart Flower
Watercolour
白俊虹在作品里放任着悠游与遐想，以忘记的姿态来回忆某些曾经的感触，以远离的方式来抵近某种情愫，并且直达情感深处。浮光掠影般的画面感受，轻柔的色彩和光亮的色调，在具象的范畴里经营着抽象的语言，并进一步加以符号化。很多时候，知识或知性会成为一种无形的羁绊，信马由缰般的率性更是一种通达，而显性的绘画技巧只是一种惯常的辅助手段。她所描画的的风景与静物、花卉与建筑、乃至于柔光与微风等等，在视觉层面漠视日常逻辑，只注重画面语言的相互转换。有效地调控若干元素之间的关系，即是在调控相伴相生的感知秩序，以使得因此产生的审美距离在视觉空间里反复发生作用，一种“彼”与“此”的对话随即建立。Bai Junhong abandons herself into her workat a leisurely pace, recalling past feelings, approaching them in a distant wayand reaching the depths of emotions. This is then transferred to canvas with floating light and shadow, softcolors and bright tones that blend into an abstract language that furthersymbolizes her unique style. Herrecklessness of trusting the wild horse is a kind of accessibility for BaiJunhong, as landscapes, still life’s, flowers and architectures and even soft light and breeze that shepaints, ignore daily logic on the visual level, and only pay attention to themutual conversion of the language of the pictures. To effectively control therelationship between several elements is to control the accompanying perceptualorder, so that the resulting aesthetic distance will repeatedly play a role inthe visual space, and a dialogue between "the other" and"this" is established immediately.Light、Splendid
Watercolour
没有任何一个画家是绝对纯粹的画家，也没有任何一幅画面是绝对纯粹的画面，只有无限贴近纯粹的画家或画面。从画家的角度出发，任何一个关于艺术（绘画）的问题，都是关于如何选取视角、进而如何表达的问题。一幅画面就如同一面镜子，越是稳妥便越清晰可鉴、越具有说服力。可是，画面所能容纳的的内容终究是有限的，关注画面以内，只是建立了一个立足点、一个可以让画家充分挥发激情的出发点。而越是成熟的画家越是注重画面以外，越是在有限之外去追求更广阔、更自由、更自我的艺术意涵。换句话说，更多的包围在画面以外的因素才是具有决定性的、实质性的要因，是所有“原因”的原因。白俊虹正是借此而延展开来，尤其是展示出了一段心路历程，一个自我寻找、自我建构、自我完善、自我发散的过程。It is said that no painter is a purepainter, and no picture is a pure picture, only an infinitely close to the purepainter or picture. From the painter's point of view, any question about art(painting) is about how to choose a perspective and how to express it. Apicture is like a mirror, the more secure it is, the clearer and moreconvincing it will be. However, the content that can be contained in thepicture is ultimately limited and focusing on the inside of the picture onlyestablishes a foothold and a starting point for the painter to fully evoke hisor her passion. The more mature the painter is, the more he or she pays attentionto the outside of the picture, and the more he or she pursues a broader, freer,and more self-explanatory artistic connotation beyond the limit. In other words, more factors outside thescreen are the decisive and substantive factors which are the causes of all"causes". This is how Bai Junhong expanded, especially showing amental journey, a process of self-seeking, self-construction, self-improvementand self-divergence.白俊虹
2000 毕业于鲁迅美术学院教育系
2003 结业于中央美术学院壁画研究生课程班
现居大连，教师，艺术家
笔记摘录：画与生活一样，要简洁，简洁当然是一种高级的约束和自律
有风景的时候，要坐下来看风景，花开时看花，有月的夜晚，喝茶，读书。
Bai Junhong
2000 Graduated from lu Xun Academy of Fine Arts education department
2003 Completed murals postgraduate course in Central Academy of Fine Arts
Currently lives Dalian, a teacher and artist
Drawing, like life, should be simple, and conciseness is of course a high level of discipline and self-discipline
When there is a view, sit and watch the view. When there is a flower, watch the flowers. When there is a moon, drink tea and read a book.
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