| 2021 普利兹克奖获奖人 |
安妮·拉卡顿 & 让·菲利普·瓦萨尔
Anne Lacaton & Jean-Philippe Vassal
评语:“他们不仅明确了一种更新现代主义遗产的建筑方法,而且还提出了建筑行业调整后的新定义。现代主义者希望和梦想着通过他们的设计来改善人们的生活,应对当前时代的气候和生态紧急状况以及社会的紧迫感,尤其是在城市住房领域。他们以强烈的空间感和材料感来实现这一目标,创造出的建筑既具有信念形式又具有坚固性,同时还具备显而易见的美学和伦理特征。
他们笃信“建筑不仅仅是建筑物”;他们解决实际问题;他们践行自己的倡议;他们开创了一条负责任、有时甚至苦心孤诣的道路,就是为了证明,最好的建筑可以是谦逊的,并且总是体贴、尊重和负责任的;他们的所作所为,证明了建筑可以对我们的社区产生巨大影响,并有助于我们意识到自己并不孤独。”
| 作品一览 |
拉达匹住宅
乌尔克-饶勒斯129套公寓
波尔多住宅
南特国立高等建筑学院
大公园G、H、I 座大楼530套公寓改造
北加莱海峡大区当代艺术基金会中心
| 往届普奖得主 |
2020
伊冯·法雷尔
谢莉·麦克纳马拉
Yvonne Farrell and Shelley McNamara have practiced architecture together for forty years in a way that clearly reflects the objectives of the Pritzker Prize: to recognize the art of architecture and consistent service to humanity as evidenced through a body of built work. They demonstrate incredible strength in their architecture, show deep relation to the local situation in all regards, establish different responses to each commission while maintaining the honesty of their work, and exceed the requirements of the field through responsibility and community.
2019
“未来的城市是一堆废墟。”
"他拥有对建筑历史和理论的深刻了解,并且拥护前卫,他不仅重复了现状,但他对有意义的建筑的追求反映在他至今的建筑中,无视风格的分类,并且不断发展,并且始终采用最新的方法。"
“Possessing a profound knowledge of architectural history and theory, and embracing the avant-garde, he never merely replicated the status quo, but his search for meaningful architecture was reflected in his buildings that to this day, defy stylistic categorizations, are constantly evolving, and always fresh in their approach.”
洛杉矶当代艺术博物馆,1986年/石本康博,美国加利福尼亚州洛杉矶
2018
"当生活方式和建筑融为一体时,生命才能开始庆祝。"
"巴克里希纳·多西不断地用自己的行动证明,所有的优秀建筑和城市规划不仅要实现目的与结构的统一,还必须考虑到气候、场地、技术和工艺,以及从最广泛意义上对周边环境的深刻理解和认识。项目必须超越单纯的功能性,通过诗意和哲学的基底与人类的精神相关联。"
Balkrishna Doshi constantly demonstrates that all good architecture and urban planning must not only unite purpose and structure but must take into account climate, site, technique, and craft, along with a deep understanding and appreciation of the context in the broadest sense. Projects must go beyond the functional to connect with the human spirit through poetic and philosophical underpinnings.
桑珈建筑师 工作室,1980年/艾哈迈达巴德,印度
卡玛拉家宅,1963年/艾哈迈达巴德,印度
艾哈迈达巴德洞穴画廊,1994年/艾哈迈达巴德,印度
“三位建筑师合作创造出毫不妥协又富有诗意的建筑,是既高度尊重过去又清晰地预示着现在和未来的,不受时间限制的作品。”
2016
"亚历杭德罗·阿拉维纳集中体现了更加注重社会参与的建筑学派的复兴,尤其是在他长期致力于应对全球住房危机,并为所有人争取更好的城市环境。他对于建筑学和市民社会都有着深刻的理解,并反映在自己的作品、行动和设计中。当今,建筑师的角色正面临挑战,他们要服务于更广泛的社会和人道主义需求,而亚历杭德罗·阿拉维纳已明确、欣然且充分地应对了这一挑战。"
Alejandro Aravena epitomizes the revival of a more socially engaged architect, especially in his long-term commitment to tackling the global housing crisis and fighting for a better urban environment for all. He has a deep understanding of both architecture and civil society, as is reflected in his writing, his activism and his designs. The role of the architect is now being challenged to serve greater social and humanitarian needs, and Alejandro Aravena has clearly, generously and fully responded to this challenge.
智利天主教大学连体塔楼,2005年/圣华金校区,智利圣地亚哥,大学教室和办公室
孔斯蒂图西翁海啸后可持续重建计划,2010年 - 在建/孔斯蒂图西翁,智利
2015
"他从大自然及其机制中发现灵感,寻求以使用最少物料和能量的方式来包围和覆盖空间。早在可持续发展被正式提出之前,他就已开始实践并推进这一理念。他的灵感来自于自然现象——无论是鸟类头骨、肥皂泡沫,还是蜘蛛网。他的深刻影响并不在形式上的简单复制,而是在于他通过研究和发现所探寻的路径。他对建筑领域的贡献不仅是技术性和知识性的,还有品格性的。"
2014
Shigeru Ban is a tireless architect whose work exudes optimism. Where others may see insurmountable challenges, Ban sees a call to action. Where others might take a tested path, he sees the opportunity to innovate. He is a committed teacher who is not only a role model for younger generations, but also an inspiration.
赫斯利九桥高尔夫球会所,2010年/韩国
纸板教堂,2013年/新西兰基督城
蓬皮杜梅斯中心,2010年/法国
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