艺术家 / Artist
策展人 / Curato
王友江 / Wang Youjiang
艺术的发展史是人类文明共同交融发展而成，不可能是一枝独秀，当代艺术家应该站在人类文明的视野去思考问题，才能知道本国的文明高度。对生命的悲悯与尊重是现代文明社会的基本内核，也是艺术家的基本心质。艺术家的作品体现了对生命的关爱，对社会的体验，对世界的认知。在疫情不便之际我通过线上交流展的方式，以"各境与相望"作为展览的主题，让艺术家用艺术作品来沟通彼此、传递关爱、融合文明，让艺术拥抱世界。
The development history of art is the integration and development of human civilization, which can not stand alone. Contemporary artists should think from the perspective of human civilization in order to know the height of their own civilization. Compassion and respect for life is not only the basic core of modern civilized society, but also the basic essence of artists. The artist's works embody the love for life, the experience of society and the cognition of the world. At a time when the epidemic situation is inconvenient, I use the online exchange exhibition to take "all environments and facing each other" as the theme of the exhibition, so that artists can use their works of art to communicate with each other, convey love, integrate civilization, and let art embrace the world.
艺术家 / Artist
江 海 / Jiang Hai
中国艺术家
1986年毕业于天津美术学院绘画系版画专业，现居天津。
个人展览
1991 江海油画展，北京音乐厅画廊，北京
1992 江海油画展，北京音乐厅画廊，北京
1995 江海油画展，国际艺苑，北京
1999 变幻的技术——江海油画展，四合苑画廊，北京
2002 魔幻都市的现实与虚望——江海油画展，上海美术馆，上海
2006 女虚 女妄——江海油画作品展，3+3空间，北京
2011 异托邦——江海作品（1990-2010），上海多伦现代美术馆
异托邦——江海作品（2006-2010），北京今日美术馆3号馆
2014 江海·乌托邦，路德维希斯堡国立皇宫博物馆，斯图加特，德国
2016 膨胀的时代-江海油画展深圳圈子艺术中心
2019 狼藉艺术——江海作品废墟展，天津城市拆迁现场
2022 钢筋混凝脂——江海作品“虚拟”映出网络展，天津新港船厂旧址
团体展览
1987 BT.5画展，中央美术学院画廊，北京
1989 中国现代艺术展，中国美馆，北京
1993 中国油画双年展（获提名奖），中国美术馆，北京
中国油画年展，中国美术馆，北京
1994 第二届中国油画展，中国美术馆，北京
1995 《江苏画刊》20周年展（获该刊作品奖），江苏美术馆，南京
1996 第一届中国油画学会展，中国美术馆，北京
1997 中国当代油画展，刘海粟美术馆，上海
2003 第三届中国油画展，中国美术馆，北京
今日中国美术大展，中华世纪坛，北京
2004 首届中国壁画大展，中国美术馆，北京
2005 “世纪”与“天堂”：2005成都双年展，国际会展中心，成都
2006 此身·界外油画展，前波画廊, 纽约, 美国
艺术．北京，农展馆，北京
2006 中国当代艺术文献展，中华世纪坛，北京
2009 中国现代艺术展文献展，北京
2011 中国·视觉的记忆，瑞士伯尔尼
收藏
《溺水》 油画 中国美术馆收藏
《大机器--1》油画 上海美术馆收藏
《嬉水》 油画 上海美术馆收藏
《抛物线》 素描（4幅） 上海美术馆收藏
《至尊--1》 油画 广东美术馆收藏
大食品》 素描 中国现代文学馆收藏
《印迹》 油画 中国现代文学馆收藏
Chinese Artists
Graduated from the painting department of Tianjin Academy of Fine Arts in 1986, majoring in printmaking, and now lives in Tianjin.
Personal exhibition
1991 Jianghai oil painting exhibition, Beijing Concert Hall Gallery, Beijing
1992 Jianghai oil painting exhibition, Beijing Concert Hall Gallery, Beijing
1995 Jianghai oil painting exhibition, international art garden, Beijing
1999 changing technology - Jianghai oil painting exhibition, Siheyuan Gallery, Beijing
2002 reality and illusion of magic city -- Jianghai oil painting exhibition, Shanghai Art Museum, Shanghai
2006 Women's emptiness and arrogance - Jianghai oil painting exhibition, 3+3 space, Beijing
2011 dystopia - Jianghai works (1990-2010), Duolun Modern Art Museum, Shanghai
Dystopia - works of Jiang Hai (2006-2010), No. 3 Museum of today art, Beijing
2014 Jianghai Utopia, Ludwigsburg National Palace Museum, Stuttgart, Germany
2016 expanding era - Jianghai oil painting exhibition Shenzhen circle Art Center
2019 messy Art - Jianghai works ruins exhibition, Tianjin urban demolition site
2022 reinforced concrete -- Jianghai work "virtual" reflects the network exhibition, the former site of Tianjin Xingang shipyard
Group exhibition
1987 bt.5 painting exhibition, Central Academy of Fine Arts Gallery, Beijing
1989 China modern art exhibition, China Art Museum, Beijing
1993 Chinese oil painting Biennale (nominated), National Art Museum of China, Beijing
Chinese oil painting annual exhibition, China Art Museum, Beijing
1994 the second Chinese oil painting exhibition, China Art Museum, Beijing
1995 "Jiangsu pictorial" 20th Anniversary Exhibition (won the work award of the magazine), Jiangsu Art Museum, Nanjing
1996 the first China Oil Painting Society exhibition, China Art Museum, Beijing
1997 China contemporary oil painting exhibition, LiuHaisu Art Museum, Shanghai
2003 the third Chinese oil painting exhibition, China Art Museum, Beijing
Today's China Art Exhibition, China Millennium Monument, Beijing
2004 first Chinese mural exhibition, China Art Museum, Beijing
2005 "century" and "paradise": 2005 Chengdu Biennale, International Convention and Exhibition Center, Chengdu
2006 this body · out of bounds oil painting exhibition, Qianbo Gallery, New York, USA
Art. Beijing, agricultural exhibition hall, Beijing
2006 Chinese contemporary art literature exhibition, China Millennium Monument, Beijing
2009 China Modern Art Exhibition literature exhibition, Beijing
2011 China, visual memory, Bern, Switzerland
Collection
Drowning oil painting, collected by China Art Museum
Big machine -- 1 oil painting collected by Shanghai Art Museum
"Playing in the water" oil painting collected by Shanghai Art Museum
Parabola sketch (4 pieces) collected by Shanghai Art Museum
Supreme --1 oil painting collected by Guangdong Art Museum
The sketch of "big food" is collected by the Museum of modern Chinese literature
"Imprint" oil painting collected by China Modern Literature Museum
江 海《五行｜火·炙胾》油彩、丙烯、亚麻布 / Jiang Hai - Five elements fire · fire . 1000x580cm . Oil paint, propylene, linen . 2022
江 海《五行｜金·骸叠》 油彩、丙烯、亚麻布 / Jiang Hai - Fiveelements gold skeleton stack . 900x580cm . Oil paint, propylene, linen . 2021
艺术思考：
江海的油画创作基本上是以社会现实为题材，三十年来所创作的几百幅大型油画作品，以批判性、实验性和以极具张力的表现性油画语言，倾力表现社会现实内部异化的、扭曲的人性，以及个体生命在现实存在空间中的处境。在面对历史、现实与个人的关系时，他既注重个体生命的精神内质，又强调人性内部各种隐秘复杂的存在状态。从而在他作品的视觉上造成观看的具象与抽象的混淆，现实与虚拟的错位。并又强制性地将我们带回到社会的现实境遇当中——一个不同权力意志与资本欲望的各种景观并存于都市的异化空间，一种历史的断裂与现实的无序的实质所在。在社会转型的不断动荡与变化中，始终坚守着人文主义的情怀。江海的艺术创作也许难以在中国当代艺术类型化、符号化的趋同性里界定、归类，而是在自愿边缘化的选择中，坚守着他极端地叛逆、质疑与无所顾忌地表现——一个只有艺术家才能够达到的极限。
“（我）觉得当代艺术在中国应该有’刺'，尖锐的’刺'…”
Artistic thinking:
Jiang Hai's oil painting creation is basically based on the social reality. Hundreds of large-scale oil paintings created in the past 30 years strive to express the alienated and distorted human nature within the social reality and the situation of individual life in the real existence space with critical, experimental and highly tensile expressive oil painting language. In the face of the relationship between history, reality and individual, he not only pays attention to the spiritual essence of individual life, but also emphasizes various hidden and complex existing states in human nature. Thus, the visual perception of his works causes the confusion of concrete and abstract viewing, and the dislocation of reality and virtuality. It also forcibly brings us back to the reality of society - a variety of landscapes with different power will and capital desire coexist in the dissimilated space of the city, which is the essence of historical fracture and realistic disorder. In the continuous turbulence and changes of social transformation, we always adhere to the feelings of humanism. Jiang Hai's artistic creation may be difficult to define and classify in the convergence of typology and symbolization of Chinese contemporary art, but in the choice of voluntary marginalization, he adheres to his extreme rebellion, questioning and reckless performance - a limit that only artists can achieve.
"(I) think contemporary art in China should have 'thorns', sharp' thorns'..."
江海《五行｜木·地脉》油彩、丙烯、亚麻布 / Jiang Hai - Five elements wood earth vein . 600x480cm . Oil paint, propylene, linen . 2020
江海《五行｜水·天泽》 油彩、丙烯、亚麻布 / Jiang Hai - Five elements ｜ water · Tianze . . 900x560cm . Oil paint, propylene, linen . 2020
江海《五行｜土·胴珀》 油彩、丙烯、亚麻布 / Jiang Hai - Five elements ｜ soil · carcass . 600x480cm . Oil paint, propylene, linen . 2021
艺术家 / Artist
福 内 / Ferney
哥伦比亚艺术家
艺术家-设计师图形-教育家设计
哲学大陆A.M-学生的思想批判和艺术哲学。博士
设计图形A.B-媒体数字。上午
14年，艺术与传播视觉、设计图形讲师
日本与阿联酋、中国、英国在经验上的结合
在有经验的环境中为学生提供多语言辅导
规划学术和专业未来
负责授课和教材教学
非英语母语者的多元文化聚焦环境
标准国际ach
主要展览
神圣艺术国际展览
2021年英国-伦敦）ALDILA国际数字展
2021年意大利-米兰-西班牙-富尔特文图拉
名古屋国际中心
艺术团体展
2017年名古屋-日本）
吉林艺术中心
艺术团体展
2008年中国长春
伊斯林顿的坦诚艺术
艺术团体展
2007伦敦-英国
EWACC公司
艺术团体展
2007年伦敦-英国
伊斯林顿的坦诚艺术
团体展览
英国伦敦（2007-2006-2005）
Colombian artists
,Artist - Designer Graphic – Educator Design
Philosophy Continental A.M - Thought Critical and Art Philosophy in Student. PhD
Design Graphic A.B - Media Digital. A.M
of years 14 with Arts and Communication Visual, Design Graphic in Lecturer
.Japan and Emirates The, China, England in experience combined
for environments multilingual in students mentoring in Experienced
The Holy Art International Exhibition
UK - London (2021)ALDILA International Digital Exhibition
Italy - Milan Spain - Fuerteventura (2021)
Nagoya International Centre
Art Group Exhibition
Nagoya - Japan (2017)
Jilin Art Center
Art Group Exhibition
Changchun - China (2008)
Candid Arts Islington
Art Group Exhibition
London - UK (2007)
EWACC
Art Group Exhibition
London - UK (2007)
Candid Arts Islington
Art Group Exhibition
London - UK, (2007-2006-2005)
福内《不适ii》摄影 / Ferney - unbehagen ii 594x841mm . Photography . 2022
福内《不适iii》摄影 / Ferney - unbehagen iiii . 594x841mm . Photography . 2022
艺术思考：
Ferney一直从事摄影工作十多年了。作为工具，他更喜欢模拟摄影他发现自己完全沉浸在物体/主体之前缺席或在场。他的作品主要集中在街头摄影。然而由于电影摄影的独特本质，费尼不断地薄膜显影中的化学过程实验相机本身的物理机制。进一步的研究促使他仔细研究有关框架（空间）和时间，推动框架的边界封装；通过这样做，负面影响的充分扩大发挥了作用，作为一种艺术形式的形象塑造行为的基本方面，表征，以及对感知的担忧反应。“在地球上，人被地心引力压垮，他的身体被沉重的重量包裹着肌肉；他出汗；他跑步；他罢工；即使是困难重重，他也跳了起来。然而，我清楚地看到，在黑暗中疲劳，第一缕色彩，预示着我所说的黎明“三岛由纪夫”太阳和钢铁，最后一组自画像名为-UNBEHAGEN-（不舒服）阐述保护理念和暴力作为转型与重生。其中包含的元素是泰拳和传统拳击。
Artistic thinking:
Ferney has been working on photography for
more than a decade. As the tool, he prefers analogue photography, that
one in which he finds himself fully immersed in the symbiotic nature of
being absent or present before the object/subject.
His body of work mainly focuses on street photography. However,
because of the unique essence of film photography, Ferney constantly
experiments with chemical processes in film development in conjunction
with the physical mechanisms of the camera itself.
Further research has pushed him to scrutinise composition concerning
frame (space) and time, pushing the boundaries of what the frame
encapsulates; by doing so, the full extension of the negative plays a
fundamental aspect in the act of image-making as a form of
representation, as well as an apprehensive response to perception.
“On earth, man is weighed down by gravity, his body encased in heavy
muscles; he sweats; he runs; he strikes; even, with difficulty, he leaps. At
times, nevertheless, I have unmistakably seen, amidst the darkness of
fatigue, the first tinges of color that herald what I have called the dawn of
the flesh” Yukio Mishima “Sun and Steel”
These last series of self-portraits named -UNBEHAGEN- (Uncomfortable)
elaborate on the idea of protection and violence as a factor of
transformation and rebirth. The elements included on these are part of
the Muay Thai boxing and traditional boxing.
福内《不适iv》摄影 / Ferney - unbehagen iv. 594x841mm . Photography . 2022
福内《不适v》摄影 / Ferney - unbehagen v . 594x841mm . Photography . 2022
福内《不适v》摄影 / Ferney - unbehagen v . 594x841mm . Photography . 2022
艺术家 / Artist
张学海 / Zhang Xuehai
中国艺术家
1966年 出生于河北承德
1990年 毕业于承德高等师范专科学校(现河北民族师范学院)美术系
1997年至1998年进修于中央美术学院壁画系
现居北京，自由艺术家
个展
2015年 “打了一针”张学海1999-2015作品展 宋庄美术馆 北京
2006年 失控 798八大画廊 北京
部分群览
2018年 《群贤·白露文会》中国当代艺术邀请展 华中农业大学艺术馆 湖北
2016“跨界”旧金山国际艺术展 旧金山当代艺术馆 旧金山
2007年 黑白现实主义文献展 环铁时代艺术馆 北京
2007年 强迫症 798季节画廊 北京
2003年 首届当代青年美术作品展 今日美术馆 北京
2003年 首届北京国际美术双年展 中国美术馆 北京
1998年 当代中国山水画——油画风景展 中国美术馆 北京
Chinese Artists
Born in 1966 in Chengde, Hebei
He graduated from the Fine Arts Department of Chengde Higher Normal College (now Hebei Normal University for Nationalities) in 1990
From 1997 to 1998, he studied in the mural Department of the Central Academy of fine arts
Now living in Beijing, freelance artist
Solo exhibition
2015 "a shot" Zhang Xuehai 1999-2015 exhibition Songzhuang Art Museum Beijing
Out of control in 2006 798 eight galleries Beijing
Partial group view
2018 Chinese Contemporary Art Invitational Exhibition of heroes · Bailu cultural conference, Art Museum of central China Agricultural University, Hubei
2016 "crossover" San Francisco International Art Exhibition San Francisco Museum of Contemporary Art San Francisco
2007 black and white realism literature exhibition, Huantie times art museum, Beijing
2007 OCD 798 season Gallery Beijing
The first contemporary youth art exhibition in 2003, Today Art Museum, Beijing
2003 the first Beijing International Art Biennale, China Art Museum, Beijing
1998 contemporary Chinese landscape painting - oil painting landscape exhibition, China Art Museum, Beijing
张学海《海上公园1》 纸本水彩 / Zhang Xuehai - Ocean Park 1 . 79X54cm . Paper watercolor . 2017
张学海《海上公园2 》纸本水彩 / ZhangXuehai - Ocean Park 2 . 56x45cm . Paper watercolor . 2017
艺术思考：
艺术对我来讲已成为生活的日常，每天都要做的一件事，每天都会等待将要出现什么。
艺术是一种好奇心。
我喜欢在一张白画布上发现意外，不是打好一个草稿，或者事先做好草图，而是直接下笔。
艺术是一种直观，是此时此刻，是自然、人文、社会等一切包罗万象归结为零的开始和结束。
Artistic thinking:
For me, art has become a daily thing in life. I have to do it every day and wait for what will happen every day.
Art is a kind of curiosity.
I like to find accidents on a white canvas. Instead of making a draft or making a sketch in advance, I write directly.
Art is a kind of intuition. It is the beginning and end of all inclusive nature, humanities, society and so on at this moment.
张学海《幻影1 》纸本水彩 / Zhang Xuehai - Phantom 1 . 54X39cm . Paper watercolor . 2016
张学海《幻影2 》纸本水彩 / Zhang Xuehai - Phantom 2 . 4X39cm . Paper watercolor . 2016
张学海《幻影3 》 纸本水彩 / Zhang Xuehai - Phantom 2 . 54X39cm . Paper watercolor . 2017
艺术家 / Artist
毛宗种 / Mao Zongzhong
中国艺术家
1972出生
1999年本科毕业于中国美术学院油画系
2009年研究生毕业于中国美术学院油画系
现工作于浙江理工大学，副教授，硕士生导师
2022年参加《云启——2022》——浙江·杭州
2021年 参加《望年——2021》——浙江·杭州
2021年参加《志生·小径分岔的花园——2021美博春季主题艺术展》——上海
2021年参加《创艺-国际艺术IP（上海）——长三角原创艺术邀请展》——上海
2021年参加《私心表达——长三角当代油画家邀请展》——上海
2021年参加《汇点——2020年白域艺术空间作品邀请展》——北京
2019年参加《国际视域与中国方式——2019上海当代艺术展》——上海
2019年参加《4X·水墨意识——四人艺术展》——浙江·杭州
2018年参加《纸感·熔点》——上海
2018年参加《手·会——当代小幅作品邀请展》——广州
2017年参加《视态——当代艺术邀请展》——广州
2017年参加《站在对面的风景——几种都市向往的生活》——上海
2016年参加《2016佐渡国际风景画佳作展》——日本.佐渡
2016年参加《Visual firecrackers》——英国.伦敦
2016年参加《破冰时代——当代油画邀请展》——北京，上海，南京，厦门
2015年参加《自在之境艺术邀请展》——浙江·杭州
2014年举办《自在的涂境——二》上海多伦现代美术馆——上海
2011年参加《吾土吾民-人文江南——中国油画大展》——浙江·杭州
2011年参加《第六届全国中青年艺术家推荐展》——上海
2009年作品《水天相接》参加塞瓦斯托波尔风情油画展——乌克兰.塞瓦斯托波尔
作品被塞瓦斯托波尔美术馆收藏
2008年作品《天下》系列参加首届全国艺术硕士研究生优秀作品展演——北京
2007年作品《望天》系列参加《浅吟.低唱Doucement Lecture de poésie》——法国.巴黎
2005年同件作品参加 《月映浙潮——2005。 浙江油画大展》获优秀奖——杭州
Chinese Artists
Born in 1972
Graduated from the oil painting department of China Academy of Fine Arts in 1999
In 2009, he graduated from the oil painting department of China Academy of fine arts
Now working in Zhejiang University of science and technology, associate professor, master tutor
In 2022, he participated in yunqi - 2022 - Hangzhou, Zhejiang
In 2021, he participated in "looking forward to the new year - 2021" - Hangzhou, Zhejiang
In 2021, he participated in "Zhisheng · garden with forked paths - 2021 Meibo spring theme art exhibition" - Shanghai
In 2021, he participated in "creative art - International Art IP (Shanghai) - Yangtze River Delta Original Art Invitation Exhibition" - Shanghai
In 2021, he participated in the "expression of selfishness - Invitation Exhibition of contemporary oil painters in the Yangtze River Delta" - Shanghai
In 2021, he participated in the "meeting point - 2020 white field art space works Invitation Exhibition" - Beijing
In 2019, he participated in "international vision and Chinese way - 2019 Shanghai Contemporary Art Exhibition" - Shanghai
In 2019, he participated in "4x ink painting consciousness - Art Exhibition of four people" - Hangzhou, Zhejiang
In 2018, he participated in "paper sense, melting point" - Shanghai
In 2018, he participated in the "hand · Exhibition - Invitation Exhibition of contemporary small works" - Guangzhou
In 2017, he participated in the "vision - Contemporary Art Invitational Exhibition" - Guangzhou
In 2017, he participated in the "scenery standing opposite - several kinds of urban life" - Shanghai
In 2016, he participated in the 2016 Sadu international landscape painting exhibition - Japan sado
In 2016, he participated in visual firecrackers - UK London
In 2016, he participated in the ice age - Contemporary Oil Painting Invitation Exhibition - Beijing, Shanghai, Nanjing, Xiamen
In 2015, he participated in the "Art Invitational Exhibition in the land of freedom" - Hangzhou, Zhejiang
In 2014, the free painting scene - II was held in Shanghai Duolun Modern Art Museum - Shanghai
In 2011, he participated in the "my land and people - cultural Jiangnan - Chinese oil painting exhibition" - Hangzhou, Zhejiang
In 2011, he participated in the 6th national young and middle-aged artist recommendation Exhibition - Shanghai
In 2009, his work "water meets the sky" participated in Sevastopol style oil painting exhibition - Ukraine Sevastopol
The work is collected by the Sevastopol Art Museum
In 2008, the series of works "the world" participated in the first national excellent works exhibition of master of Arts Postgraduates - Beijing
In 2007, his work "looking at the sky" series participated in "shallow singing. Low singing doucement music de Po é Sie" - France Paris
In 2005, the same work participated in the "moon reflects Zhejiang tide - 2005. Zhejiang oil painting exhibition" and won the Excellence Award - Hangzhou
毛宗种《绝对自由8 》色浆、尼龙胶、丙烯 / Mao Zongzhong - Absolute freedom 8 . 100X100cm . Color paste, nylon glue, propylene . 2019
毛宗种《绝对自由10 》 色浆、尼龙胶、丙烯、纸板画布 / Mao Zongzhong - Absolute freedom 10 . 30X30cm . Color paste, nylon glue, propylene . 2020
艺术思考：
《光阴》——光阴漫漫，容光焕发的样子
时间是物质的永恒运动、变化的持续性、顺序性的表现，时间是人类用以描述物质运动过程或事件发生过程的一个参数。时间对于生命体的人来讲，它一直向着生命的终点狂奔，同样，按宇宙法则的熵增定律来讲，时间也是一直朝着不可逆的方向前行，一直一直在延续。这样讲，时间是一个比较抽象的物理概念，所以我更喜欢用光阴这个词，
可感，可知，可描述，更具体，更有形象感。
光阴似箭，光阴冗长，光阴荏苒……这些都是在不同情绪、思维、认知或者经历上对光阴的感受与表达，对我来讲更想用“漫漫”来形容光阴。“漫漫”指一种长久貌，光阴持久而不间断，有一股延绵不绝又十分厚重的力。“漫漫”也表达一种充盈状，广袤无际，填满整个空间与生命缝隙。“漫漫”还有一种因长久且饱满而形成的浩然之气，无边无际，不受约束，蔚为壮观的气象。“漫”是指水过满后向四处流淌，有一种向外放射的动感。如经历过一段时间的积淀，有一种突如其来的通透，这种精神层面上的光彩会从容貌中溢出，这种充满能量的样子我们称它为容光焕发。我想对于每个人来讲，这样的感受也许都曾经历过，或者正在亲历中，或者还在追求着。容光焕发的样子应该是一个新的光阴的开启。
Artistic thinking:
"Time" - time is long and radiant
Time is the eternal movement of matter, the persistence and sequence of change. Time is a parameter used by human beings to describe the process of material movement or the occurrence of events. For people who live, time has been rushing towards the end of life. Similarly, according to the law of entropy increase of the universal law, time has been moving in an irreversible direction and continues. In this way, time is an abstract physical concept, so I prefer to use the word time,
Sensible, knowable, descriptive, more specific, more vivid.
Time flies, time is long, time flies... These are the feelings and expressions of time in different emotions, thinking, cognition or experience. For me, I want to use "long" to describe time. "Long" refers to a long-term appearance. Time is lasting and uninterrupted, with a continuous and very thick force. "Long" also expresses a kind of filling, vast and boundless, filling the gap between the whole space and life. "Long" also has a magnificent atmosphere formed by long and full, boundless, unrestrained and magnificent. "Diffuse" refers to the water flowing around after it is full, with a sense of outward radiation. For example, after a period of accumulation, there is a sudden permeability, and this spiritual Brilliance will overflow from the appearance. This energetic appearance is called radiant. I think for everyone, such feelings may have been experienced, or are experiencing, or are still pursuing. The radiant appearance should be the opening of a new time.
毛宗种《绝对自由6》 色浆、尼龙胶、丙烯 / Mao Zongzhong - Absolute freedom 6 . 100X100cm . Color paste, nylon glue, propylene . 2019
毛宗种《绝对自由7》 色浆、尼龙胶、丙烯 / Mao Zongzhong - Absolute freedom 7 . 100X100cm . Color paste, nylon glue, propylene . 2019
毛宗种《光阴10》布面综合 / Mao Zongzhong - time10 . 60X80 cm . Cloth surface synthesis . 2020
艺术家 / Artist
金善喜 / Sunhee Kim
韩国艺术家
清华大学美术学院/硕士（今）-美术(中国)
个展
2012金善熙个展（G.Y.M proiect项目画廊）(韩国)
精选团体展览
2022韩中健交30周年纪念交流展览”和”（韩国文化院）（中国）
2013年AHAF青年艺术家展（昆山画廊）(韩国)
2013亚洲酒店艺术博览会（首尔康拉德酒店）(韩国)
2012年新思维集团展览（三清画廊）(韩国)
2011年九边集团展览（画廊空间DA）北京(中国)
2011年金兆禧展览（加比画廊）(韩国)
2011健身房与怪物东方集团展览（G.Y.M proiect项目画廊）(韩国)
2011年蓝知更鸟太阳展（皇家美术馆）(韩国)
2010年第四届Insa艺术节（艺术空间）(韩国)
2010年MAPING tast-1展览（李画廊）(韩国)
2013年AHAF青年艺术家奖-入选艺术家
收藏歌剧画廊（韩国）
Korean artists
Tsinghua University/Master （Present）-Fine Art (China)
Solo Exhibitions
2012 Sunhee Kim's Solo Exhibition ( GYM Project Gallery) (korea)
Selected Group Exhibitions
2022"And" (Korean Academy of Culture), an exchange exhibition marking the 30th anniversary of the Korean Chinese diplomatic relations（China）
2013 AHAF Young Artist exhibition ( keumsan Gallery) (korea)
2013 ASIA HOTEL ART FAIR(Conrad Hotel Seoul) (korea)
2012 new thinking Group Exhibition ( Samcheong Gallery) (korea)
2011 NINE BORDER Group Exhibition ( Gallery Space DA) Beijing (China)
2011 Sun-hee kim & Yoon kim Exhibition ( GABI Gallery) (korea)
2011 GYM & monster the East Group Exhibition (GYM Project Gallery) (korea)
2011 The bluebird Swallwoing sun Exhibition (Gallery Royal) (korea)
2010 The 4th Insa Art Festival ( Gongart space ) (korea)
2010 MAPING tast-1 Exhibition ( Lee Yun-soo Gallery) (korea)
Awards 2013 AHAF Young Artist- Selected Artist
Collections Opera Gallery (Korea, Republic of)
金善喜《客厅A》画布上的丙烯 / Sunhee Kim - The living room A . 130x90cm. Acrylic on canvas .2022
金善喜《客厅B》画布上的丙烯 / Sunhee Kim - The living room B. 160x110cm . Acrylic on canvas . .2021
艺术思考：
生活在现代社会的我们经常经历短暂的人际关系。 大多数这些短暂的 人际关系, 都是为了我们自身的利益而形成的。 在这些关系中, 我们为了不受失落感和虚荣感的折磨, 或者不从道德 和社会的价值中脱身而戴"面具"。 这种假面具给个人带来精神上的安慰, 同时也赋予对我们行为的正当性。 现代社会的人们梦想通过反复进行这 种安慰自己的行为来挽救自己的精神, 但最终在精神上变得越来越疲急, 甚至依赖于所谓假面的人格。 我的作品是关于在现代社会中依赖面具的很多人的故事。 在我的画中 出现的"娃娃 (Characters-Doll) "通过空虚的眼睛、 紧闭嘴巴的头发等 形象, 代表着包括我在内的现代社会的成员。 我想通过这些娃娃, 表现 为过不关心、 残忍、 无情的生活而努力孤军奋战的现代社会成员的自我, 并对因这种现实而只能变得更加孤独和荒废的人们的内心世界加以表现。
Artistic thinking:
We, living in the contemporary society, experience the short human relationships frequently. In such relationships, we form some mutually beneficial connections. In this course, we put on our own masks in order not to suffer from a sense of loss or vanity or break away from the moral and social values. As it is, we protect ourselves, while putting on the mask for our mental comfort and dreaming of a psychological redemption. As a result, we become more and more fragile and dependent. This is a story about our contemporary people including me. The dolls in the works representing my ego feature empty eyes, closed mouth and drooped hairs. I intended, through such dolls, to reveal our inner world struggling hard to survive the indifferent, cruel and heartless reality, suggesting that our inner world is solitary and desolate.
金善喜《草原》画布上的丙烯 / Sunhee Kim - Grassland . 140 x90cm . Acrylic on canvas . .2012
金善喜《樱桃纸杯蛋糕》画布上的丙烯 / Sunhee Kim - Cherry Cupcake . Diameter 100 cm . Acrylic on canvas. . 2022
金善喜《樱桃杯蛋糕》数字画 / Sunhee Kim - Cherry cup cake . 41x31cm . Digital painting . 2022
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